Is gender role self-concept a predictor for music class attendance? Findings from secondary schools in Lower Saxony (Germany)

DC ElementWertSprache
dc.contributor.authorNonte, Sonja
dc.contributor.authorKrieg, Maria
dc.contributor.authorStubbe, Tobias C.
dc.date.accessioned2021-12-23T16:10:12Z-
dc.date.available2021-12-23T16:10:12Z-
dc.identifier.issn03057356
dc.identifier.urihttps://osnascholar.ub.uni-osnabrueck.de/handle/unios/9220-
dc.description.abstractAlthough there is an increasing number of studies investigating the effects of attending music programs and classes, research on the impact of gender role self-concept on the decision to attend music classes is limited. Current research highlights the significance of gender role self-concept in decision-making processes. Accordingly, we conducted path analysis on a sample of n = 353 fifth-graders to identify interrelations and mediation effects of students' gender role self-concept on the attendance of a specific music class through the self-concept in music, intrinsic value of music, and other relevant aspects. The results showed that only gender role self-concept of femininity revealed direct effects on attending a music class. Students describing themselves as feminine had a more positive self-concept in music and value music more. No mediation effects could be detected. However, a negative direct path from gender role self-concept of femininity on music class attendance was observed. No effect was found for gender role self-concept of masculinity and music class attendance. The intrinsic value for music showed the highest impact on music class attendance. After discussing the main results, recommendations for researchers, teachers, and school administrators are made with regard to an accessible music education, which is independent of gender role orientations.
dc.description.sponsorshipGerman Research FoundationGerman Research Foundation (DFG) [312968144]; The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: Research was funded by the German Research Foundation (project number 312968144).
dc.language.isoen
dc.publisherSAGE PUBLICATIONS INC
dc.relation.ispartofPSYCHOLOGY OF MUSIC
dc.subjectBELIEFS
dc.subjectBOYS
dc.subjectEDUCATION
dc.subjectgender
dc.subjectgender role self-concept
dc.subjectIDENTITY
dc.subjectIMPACT
dc.subjectinstrumental learning and teaching
dc.subjectMusic
dc.subjectPERCEPTIONS
dc.subjectPERFORMANCE
dc.subjectPERSPECTIVES
dc.subjectPsychology
dc.subjectPsychology, Applied
dc.subjectPsychology, Educational
dc.subjectPsychology, Experimental
dc.subjectschool education
dc.subjectstereotypes
dc.subjectSTUDENTS MOTIVATION
dc.subjectVALIDATION
dc.titleIs gender role self-concept a predictor for music class attendance? Findings from secondary schools in Lower Saxony (Germany)
dc.typejournal article
dc.identifier.doi10.1177/03057356211042931
dc.identifier.isiISI:000702430800001
dc.identifier.eissn17413087
dc.publisher.place2455 TELLER RD, THOUSAND OAKS, CA 91320 USA
dcterms.isPartOf.abbreviationPsychol. Music
dcterms.oaStatushybrid
crisitem.author.deptFB 03 - Erziehungs- und Kulturwissenschaften-
crisitem.author.deptidfb03-
crisitem.author.parentorgUniversität Osnabrück-
crisitem.author.netidNoSo718-
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